I thoroughly enjoyed reading Dancing Through It: My Journey in the Ballet written by retired New York City Ballet (NYCB) Principal Dancer, Jenifer Ringer.
She writes openly, honestly, and with great grace about her lifetime of experiences in the world of ballet. She takes the reader on a journey from the time when she was a small girl and first started dancing, through her struggles with her body image, up until the apex of her impending retirement from NYCB.
I recently participated in a jazz class in London and was shocked to find out that it was a legitimate technique class!
Over the last several years, I have been overwhelmingly disappointed when I have gone to take professional level classes in various cities in the US and UK. My expectation is that I will receive a proper warm up that requires technical skill and finesse (i.e. plies, tendus, balances, etc) followed by a combination that is designed to be fun, challenging, and fits into the genre of the class.
Well, let me tell you about my experience:
So many classes that call themselves jazz or even modern are this new brand of contemporary that’s a bit of modern thrown in with a lot of acrobatics and scary tricks that look sort of cool, but will land most of us in the hospital with knee problems sooner rather than later.